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If It Spoke For Itself

by Johnas & Connelly

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1.
“will you come and bathe with me to settle your unrest?” you asked me from the other side of the door to the closet. “i don’t think so... ok, i’ll let you know.” “can you help me remember what loving you is like?” you asked me in a tender voice standing by the fireside. “i sure hope so, i don’t want to let you go...” i sat out in the freezing cold, i don’t belong inside -- you told me you would let me in if there’s nothing left to hide, “i don’t think so... ok, i’ll let you know.” i packed my bags and left you, but you stopped me on my way. you said, “if this is everything, then, please, why don’t you stay?” “because i know if i stay, i’d let you go... because i know if i stay, i’d let you go.”
2.
well, i hardly possess the wherewithal needed to complete the ten days of this radio silence we both agreed would be healthy but, it's not because i've been longing for you in a way i'd imagine most lovers would it's more this day-in, day-out routine getting out and in of bed with the one you simultaneously loathe and love well, i've poured through the facts least the ones you permit me to have those three nights spent with another man and would you believe that i'm starting to get it but, it's not for an enlightened turn towards empathy or that i'm suddenly prepared to forgive it's more this poet behind the counter has me steeped in reverie that i found all too easy to become submersed in what if i were to relegate our relationship to a pros and cons list the tact use to choose between me and him then maybe you'd come to understand how this might make one feel degraded but, hey, you were right when you said it's time i stop playing the victim so when these ten days expire i won't pick up the phone so as to ask where you are press the lies even if your stories and frame of time don't at all align instead embrace the solace i collect describe the reflecting resonance when listening to the dialogue between us die but, like all blackouts we impose flickers as we again re-unite on the road you in a cafe to write alone i in calgary's diner for the retro Stevie's voices quivers through the radio coincidentally, it was just the moment before that i was resenting our "rumours" ode poems meant as letters now to be exploited in harmony if i'm to expose the shady edges of your character then i think it best if i, too, own up for the truth might be cemented in our true beginnings i had this all coming to me soon as i took that whore in and back ignored phone calls you took it upon yourself to show up instinctively knowing what i might be capable of knock at the window two rolling bodies floored a voice to what would become the familiar song sung of love and/or dejection
3.
In The Living Room don’t you think this quiet hurts? body’s on the carpet, curled folded like a dollar bill that doesn’t know its worth -- i’m not enough don’t you think it’s hard for me? loving unrequitedly? you forget the tenderness that you’ve shown my body now i’m unmarked land weeping like a willow tree in a house where you once were i’m a bent-up suffragette and you’re just memories that i’m here to forget i am insignificant and you’re someone who’s free no there’s not much left you know that our future lies in these achey lullabies we’ll come together, like we had, to sing about goodbyes in the year i’m thirty-five spinning wind on burning fire in a field as green as new, you’ll remember that you’re mine
4.
only the intellect could depict such a lovely image that spent the last five nights stapled to the inside of my eyelids in that hypnogogic state expectations were exceeded but the dopamine crash the morning after lends to my regressing slip of judgement and a sonnet sent to you shortly after giving a book of poems to a muse i couldn't help but pursue for this duplicite lapse of weakness the reward an art piece lyrics for my digressions self-directed melodramas fuel the creative stupors that i bathe in maybe think twice, pull the reigns back start that meditation i'd promised my l.a. guru twice a day i'd do despite the mind's resistance now a memory of malibu comes flooding in you walked bare and pale on the desert trail when i stopped you in your tracks dis-impassioned, still pulled you near so bland, so listless as you left a piece of me on the path clenched fist in the lowest pit another missed sunrise to purge it a sleepless ache not of dissimilar taste to when once waking beside you is that a subtle hint of regret upon further dissection second sonnet sent of adulation were they words of desperation? isolation in these hills or all this well water drank? how timely an apology and the proclamation of love returning the night you stayed claimed as a booty-call made me think could that have really been my intention? renewal the result of being rejected by an apparition too unattainable for the deceptive hypocrite that i only occasionally sometimes try not to be?
5.
miasma 01:54
6.
paint box 04:41
Paint Box paint me from memory so that i know i’m on your mind lose me again and again ‘til i’m the only thing you find and write me in books ‘til the pages are full so you read me in every line ‘cause, oh, birds on the wing like us are too quick to love anything and see it through so i’ll take my time with you i’ll wait for poetry before i speak to you in song ‘cause you gave me music in frailty and i don’t want to get this wrong so if art needs a space to write beauty from pain then i’ll let this linger on ‘cause, home is only good when misery’s sung in chorus and verse and not as the truth so we can lose ourselves like lovers do are we losing ourselves?
7.
it's unclear who's been following who around or why we picked to pivot and plant ourselves back in our hometown there were plenty of painless exits that would have taken me south and without the weighted eyes of our families watching to put my finger on the sensation i get witnessing the deletion of a text after divulging the lies to your mother you ended up devising just to keep this rekindling hid would be far too foretelling of the excuses i'd devise for leaving abandoned baggage at the borderline dragging along the blacktop every mile of the drive to recover the ocean and santa cruz moonshine when that doesn't work maybe then i'll quit resisting its purer water of shasta-trinity a three dollar bottle has new friends pose as insightful clarity but to awake depleted, the mind with its body makes the sustain of will to not contact strewn so give up in the afternoon you respond with wanting your life back
8.
9.
what’s the average cost of something precious that we’ve lost? it takes us years to even wager half a guess so, you went north and i drove south to live in someone else’s house and you found grace in her and words she said and time becomes the distance that slips gradually between the last ten years that we have seen and what we see now and silence is resistance to the path that we have made that circles back and ‘round again and we can’t step out so, instead, step down try to be like Townes and find some ease in this while we wait around have i any sense or is it lack of self-respect to love you even when your best is barely good? stumbling on, i went to find the kindest accident so i could find myself in him in other ways, i couldn’t and no one should imagine what it’s like to harmonize with your ruthless tell-all lines that bury me ‘cause kindness, when you had it, went so gently to your muse with her soft nature and views of purity it’s humbling it’s an awkward thing to be at the bottom of everything if this is what’s been meant for me, then i accept with clarity the Fates are workin’ hard to keep us bound i’ve paid my dues, my karma’s free to cycle on with certainty that better things are gonna come around so, Heaven, if you’ll have us we would like to stay with you and play blissfully in tune with what you weave and we’ll believe in sadness as a necessary tool not a fundamental rule in finding peace
10.
final verse 02:32

credits

released March 31, 2019

all songs written, performed and engineered by Brandon Johnas & Caitlin Connelly.

album artwork by Caitlin Connelly

mixing and mastering by Brandon Johnas

*writing contribution by Brett Abramyk on the song Paint Box - for more of his music check out: brettsky.bandcamp.com/releases

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Johnas & Connelly Banff, Alberta

Johnas & Connelly is a Rocky Mountain duo rooted in evergreen-fresh folk and small-town splendor. Inspired by canyons, caves, and excruciating break-ups, the pair uses thoughtfully-woven vocal harmonies and seasoned fingerpicking to honestly channel emotion-filled experiences into mindful art. ... more

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